The Literaturwissenschaftliches Jahrbuch (Yearbook of Literary Studies) was founded in 1926 by Günther Müller with the aim to publish both research and literary texts. The Jahrbuch was banned by the Nazis in 1939 and re-founded by the German scholar Hermann Kunisch in 1960; the new series has now grown to 23 volumes. The trans-disciplinary journal publishes articles on German, English and American literature, as well as literature in the Romance languages. Articles may be written in German or the languages of the respective fields. Each volume also comprises a substantial review section. Early career scholars are encouraged to submit their manuscripts.
The Literaturwissenschaftliche Jahrbuch is not restricted to any specific method or school. It focuses on texts and developments from the Middle Ages to the present. With a view to exploring the multilingual and transcultural dimension of the literatures involved, emphasis will be given to comparative approaches.
Overview
Inhalt:H. Kolb, 'Der wuocher der riuwe': Studien zu Hartmanns 'Gregorius' - M. Bambeck, Die Stadt Paris als "Haus des Brotes" oder zur Verweltlichung der biblischen Allegorese bei Georges Chastellain - A. San Miguel, Die 'Comédie jouée au Mont de Marsan' von Marguerite de Navarre - H. Heuer, Dichterischer Wettstreit über das Thema der Hoffnung im englischen Literaturbarock - W. Wittkowski, Schrieb Kleist regierungsfreundliche Artikel? Über den Umgang mit politischen Texten - W. Kohlschmidt, Fontanes Weihnachtsfeste: Eine Motiv- und Strukturuntersuchung - R. Kauf, Die expressionistischen Dramen Georg Kaisers und der literarische Symbolismus - W. Erzgräber, Spaziergang am Strand: Zur Proteus-Episode in James Joyces 'Ulysses' - G. Neumann, Das Essen und die Literatur - U. Schödlbauer, Odenform und freier Vers: Antike Formmotive in moderner Dichtung - A. Fuß, Paul Claudels Fünfte Große Ode: 'La maison fermée' - V. Kapp, Gebet und Agitation in den Psalmen von Ernesto Cardenal - B. Engler, Allen Tates und Robert Lowells 'Civil War Odes': Literarische Tradition und modernes Krisenbewußtsein - R. Ahrens, Transzendenz und lyrisches Ich in Ted Hughes' 'Gnat-Psalm' und Geoffrey Hills 'Mercian Hymns'
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